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Performance Projects
ANGELS AND
ACCORDIONS
(in
conjunction with openhousenewyork's annual celebration of New York City
architecture and design)
2004-ongoing
Created and Directed by Martha Bowers
in collaboration with Green-Wood Historian Jeff Richman
Music by
Todd Reynolds (2004), Bob Goldberg (2004-06)
and Guy Klucevsek (2006-07)
Assistant
Directors: Robert Martin (04-06) Elin Lindqvist (07)
Visual
Installation: Alexander Heilner
A site-specific
performance/walking tour of Green-Wood Cemetery. Produced by Dance
Theatre Etcetera and the
Green-Wood Historic Fund in conjunction with
openhousenewyork. A cast of 30
angels, 10 accordions and a classical
music ensemble guide visitors through Brooklyn's historic Green-Wood
Cemetery. www.Green-Wood.com, www.OHNY.org
VIEW ANGELS
AND
ACCORDIANS VIDEO: click
here.
Quicktime required
for video.
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RED HOOK
WATERFRONT ARTS FESTIVAL
2000 - ongoing
Producer: Martha Bowers
Project Coordinator: Robert Martin
Annually May/June
Red Hook, Brooklyn
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| Watch the VIDEO
from our 2007 Red Hook Waterfront Arts Festival |
This open-air festival on the newly refurbished Red Hook
Waterfront features live music, dance, and spoken word performances by
world-renowned artists as well as local youth. Includes the Red Hook
Youth Film Festival, held in
cooperation with the BWAC Pier Show, which screens films produced by
young
New York City filmmakers. Free cultural workshops, delicious food,
maritime activities and great views
of the water (and the only spot in NYC with a frontal view of the
Statue of Liberty).
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THE DREAM LIFE
OF BRICKS
2002
Conceived, written and directed by Martha Bowers
Music: Philip Hamilton
Set Design: Ed King
Lighting Design: Larry Smallwood
Production Manager: Larry Smallwood
Commissioned by MASS MoCA with support from the Rockefeller M.A.P Fund
and the Mary Flagler Cary Live Music for Dance Program.
Produced by Dance/Theatre/Etcetera in collaboration with MASS MoCA.
In 2001, Martha Bowers
received Massachusetts
Museum of Contemporary Art (MASS MoCA)'s first performing arts
commission to create THE DREAM LIFE OF BRICKS. The work was performed
at MASS MoCA in June 2002. If a building could dream, what would those
dreams look like? Martha Bowers' visionary choreographic historyscape
of the MASS MoCA mill-turned-museum posed this question, and explored
the site as the repository of 200 years of the community's collective
aspirations and imaginings. This project was a collaboration with
lauded musician Philip Hamilton and the members of the North Adams
community.
For more information, contact
us.
MEDIA: To download photos for editorial use, click here.
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SAFE HARBOUR/CORK
2001
Conceived and Directed by Martha Bowers with Michael O'Byrne
Music: Tiye Giraud
Produced in collaboration with
The Institute for Choreography and Dance (ICD) at Firkin Crane
and the Cork Midsummer Festival.
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SAFE
HARBOR, first performed in 1998 on the Red Hook Brooklyn waterfront,
looked at New York's immigrant history from the perspective of this
blue collar waterfront community. After two years of project
development in Ireland, SAFE HARBOR was successfully transplanted to
Cork, the ancestral home of many Red Hook Irish immigrants. A unique
blend of pageant, procession and performance, SAFE HARBOUR/CORK
celebrated the historic neighborhood of Shandon in Cork City. An
afternoon of street based entertainment brought local musicians,
story-tellers, clowns and youth theatre groups together with American
dancers and musicians. The festivities commenced with a procession lead
by a giant replica of the famed Goldie Fish, a much beloved Shandon
landmark. The event concluded with a sold-out, evening dance
performance in the theatre at ICD. This sister project to SAFE
HARBOR/RED HOOK- explored the impact years of emigration has had on the
Shandon community and how it is changing as a racially diverse wave of
new immigrants have arrived, many seeking asylum from political
repression in their native countries.
To read a review click here. |
HOME WISDOM
2000
Conceived and Directed by Martha Bowers
Sound Design and Musical Direction: Mark McCoin
Produced in collaboration with Deborah Reshotko and SPEAKING OF DANCE.
Funded by Artists and Communities:
America Creates for the Milennium, a program of the National Endowment
for the Arts
and the Mid-Atlantic Arts Foundation.
Denver
history fused with the city's
present-day
scene through the unlikely bedfellows of local architecture and
contemporary dance. Choreographer Martha Bowers explored the changing
values of the West by interviewing local residents about their dreams
and fears of change, and translated these vignettes into a
site-specific performance under the common theme of HOME WISDOM.
Looking for a metaphor for transmitting values, knowledge, and
experiences across generations, Bowers and Speaking of Dance Artistic
Director, Deborah Reshotko, decided to base the HOME WISDOM performance
in a house with a colorful history. HOME WISDOM combined a conventional
tour of a turn-of-the-century mansion, the Grant-Humphreys Mansion,
with performances in various rooms of the house. Victorian Grande Dames
led tours of the Mansion. As the tours went from room to room, the
audience experienced site-specific scenes, popping up like dreams among
the formal surroundings. The main floor reception room was devoted to
"Brides Descending a Staircase," in which brides paraded up, and
sometimes fell down, the house's main staircase. A local livestock
auctioneer called out bids for wedding values such as loyalty and
trust. In the dining room, a grizzly bear shared a meal with a
Victorian woman. Upstairs in the nursery, with pillows strewn on the
floor for the audience to relax on, a nanny read a bedtime story and
offered a lullaby. Denver composer, Mark McCoin was the musical
director and sound designer for the event.
Two nights of sold-out performances took place in October 2000. |
SAFE HARBOR
1998-1999
Conceived and Directed by Martha Bowers
Music by Tiye Giraud
Co-produced by
Dance/Theatre/Etcetera and Dancing in
the Streets. A site-specific event created for the waterfront of Red
Hook, Brooklyn. This evening length event explored the immigrant
history of this waterfront community. Audience members were led along
the waterfront and through the cobbled streets of Red Hook, as
performers danced and sang from floating stages, on jetties and boats.
SAFE HARBOR had a cast of over 40 people which included a community
choir, professional dancers and musicians, local community members as
well as the boats and crews of Floating the Apple- an organization that
builds and rows replicas of the historic "whitehall gigs" (25 ft. row
boats) with New York City youth.
SAFE HARBOR II was commissioned by the Taipei Theater and the
Mulberry Street Theatre as an original site-specific work adapted for
the stage. It was presented at the Taipei Theatre in the Spring of 1999
in Midtown Manhattan.
To read a review, click
here!
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OASIS
1997
Commissioned by Dancing in the Streets On-Site New York City program
Produced by Dance/Theatre/Etcetera
Conceived and Directed by Martha Bowers
Music by Ralph Denzer
OASIS was a live dance and music performance that
toured NYC's community gardens in 1997, drawing attention to the
Gardens' battle with the City to preserve their spaces.
A live brass band, blues singer, six dancers and a puppeteer
traveled throughout NYC performing in community garden spaces.
Pre-performance workshops were conducted in each location to
incorporate neighborhood youth into the performance.
Performances were held at the Warren Street Garden, The
Westside Community Garden, The Garden Pier, The Pleasant Village
Community Garden, and the East New York Garden.
To read a review, click
here!
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BLUE TRAIN
1997
Conceived and Directed by Martha Bowers and John King
Music by John King
Co-produced by Dance/Theatre/Etcetera
and the Wagon Train Project in Lincoln, Nebraska.
BLUE TRAIN was a site-specific event
which began in
the Wagon Train Performance Loft and proceeded to take audience members
on a tour of the adjacent rail yards in Lincoln, Nebraska.
This evening length work explored the impact of the trains on
diverse sectors of Lincoln's population. Over a two year period,
Dance/Theatre/Etcetera members traveled to Lincoln to conduct workshops
and research the history of the region. The cast of the final
production included traditional drummers and singers from the Omaha
Tribe, dancers from the Lakota Sioux tribe, retired railroad workers,
local artists and youth as well as the professional dancers from
Dance/Theatre/Etcetera.
To read a review, click
here!
A documentary about the making of BLUE TRAIN was created by
Lincoln filmmaker John Spence and Martha Bowers. BLUE TRAIN: MAKING
HISTORY DANCE was broadcast on Nebraska Public Television and was
selected as a featured film in the 2000 Dance on Camera Film Festival
in New York City. To order, click here! |
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